![]() He was a familiar guest of two ladies of fine mind and superior talent-Mme. The following quote describes what may have inspired Gounod to use the music of Bach as the basis of his piece: This piece is sometimes called Ave Maria by Bach-Gounod because of the contributions of both Bach and Gounod in creating this lovely work. Other words have been adapted to this melody, but the text of Ave Maria is one of the most popular. Gounod arranged another version in 1853 (for violin or cello and piano), and it wasn't until 1859 that he applied the Ave Maria text to his music. It is likely that Gounod used the descriptive term Meditation to describe the reflective nature of his melody, and the peaceful, meditative feeling of the piece. Gounod wrote the following version using the Lamartine poem in 1852: Meditation on the First Prelude of J. Although the text Ave Maria (a Latin prayer used by the Catholic Church), is often used with this piece, one of the first texts which Gounod used with his melody, was a poem by the French poet Lamartine. Gounod composed a melody (a descant), and superimposed it on Bach's C major prelude. Gounod's musical setting of Ave Maria is based on the "First Prelude in C major" from Book I of the Well-Tempered Clavier (BWV 846) by Johann Sebastian Bach. ![]() Gounod studied music at the Paris Conservatoire, and was the winner of prestigious musical competitions such as the Prix de Rome (he won the Grand Prix de Rome in 1839). Gounod's father was an artist and engraver for royalty, and his mother was an accomplished pianist. Charles-François Gounod (1818-1893), a French composer, was responsible for the piece Ave Maria from a theme by J.S. ![]()
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